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ANWG 2013 Conference...

Western Washington University
Bellingham, WA
June 17-23, 2013
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2013 ANWG NW Weavers Conference

Seminars

The 2013 ANWG NW Weavers Conference will offer more than 60 seminars.  The seminars will begin on June 21, 2013.  All will be taught on the campus of Western Washington University in Bellingham, WA.  There will also be more than 20 3-day workshops, beginning June 18, 2013 and additional one-day classes. Click on photos for close-up view.

The conference fees include enrollment in three half-day seminars OR one full day class and one half-day seminar. Workshop fees are separate from the conference fees. The registration booklet will include information about the conference fees, workshop fees, housing, the events scheduled and more. The registration booklet is available for download HERE and on-line registration opened January 8, 2013.  Click here to see the daily schedule of workshops, seminars and one-day classes.  To review the materials lists for the workshops, seminars and one day classes, click here.

A Weaver’s Journey
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 close-up view.


A Weaver’s Journey
Instructor: John Beard

This seminar is an exploration of both Navajo and Ravenstail weaving. Travel through the fascinating history and revival of Ravenstail weaving, including introductions to contemporary Ravenstail weavers and weavings and the stories robes tell. This seminar also looks at the journey of a trusted pharmacist to the new-found joy as a weaver of yarns.  Examine the motivational forces contributing to this transformation, the family imprints, the similarities and differences between Navajo and Ravenstail weaving, and the Native American basketry connections.

Material Fee: None
Experience Level: All

 

John Beard
John Beard
Tigard, OR
 

Double the Trouble
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Double the Trouble
Instructor: Kay Faulkner

Double the trouble but more than double the fun! This seminar provides an overview of the potential of doubleweave with a focus on 8 shafts. This structure allows for solid color, blended colors and graphic imagery. It can be used in sections or for the whole piece. Colors, yarns and structures take on a whole new dimension. Both shaft doubleweave and pick up will be explored.

Material Fee: None
Experience Level: Intermediate
 

Kay Faulkner
Kay Faulkner
Birkdale, Australia

 

Loom Controlled Shibori
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Loom Controlled Shibori: Colour and Pattern
Instructor: Kay Faulkner

This seminar provides an in depth look at the process of obtaining loom controlled resist dye pattern on hand woven fabric. Explore both warp and weft shibori and its many facetted interpretations in combining both dye pattern and fabric structures. Additional applications will also be covered including discharge, devore, differential dyeing etc. Methods of drafting and evaluating existing weave patterns for their suitability for use will be covered. The primary focus will be on 4 and 8 shafts but additional reference will be made to pick up on simple looms, multishaft and drawloom and jacquard applications.

Material Fee: None
Experience Level: Intermediate
 

Textiles of West Timor
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Textiles of West Timor
Instructor: Kay Faulkner

West Timor is culturally rich in textile tradition. It is one of the poorest regions in Indonesia and because of this has retained much of its cultural heritage. Textiles are a major component of this heritage and are part of daily life. In this small island the textiles are diverse, beautiful and intricately woven. Both within and beyond Indonesia, West Timor textiles are not well known or easily recognised because of this amazing diversity. Weaving is done on a back strap loom in 4 major techniques: ikat, buna (supplementary weft wrapping), sotis (warp float pattern) and naisa (tapestry).

This seminar will examine West Timor’s cultural heritage referencing its effect on textile tradition, techniques used and then the application of these for shaft loom weavers.

Material Fee: None
Experience Level: All
 

Ties: Practical, Decorative and Unconventional
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Ties: Practical, Decorative and Unconventional
Instructor: Kay Faulkner

The focus for this seminar is on designing with ties in creating unit weave patterns. It is the ties that are important. From an unconventional approach to “familiar” 2 (Summer and Winter), 3 and 4 ties different pattern effects can be achieved. But, then, what can be achieved on an 8 shaft loom when only 2 shafts are used for the pattern blocks and the remaining 6 shafts for ties? What are the limitations? This is a different design approach. Even on 8 shafts, the potential is quite amazing. Then if this is extended to multishaft looms a whole new world awaits… images in both the ties and the blocks! What fun!
 

Material Fee: None
Experience Level: Intermediate
 

Looking at Lace
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Looking at Lace
Instructor: Laura Fry

What is the difference between huck, Swedish and Bronson lace? This seminar will look at how these weave structures differ and how they are the same. If time permits Laura will demonstrate how to weave Bronson Lace using a no-pick-up-stick pick up technique.

Materials Fee: $1
Experience Level: All
 

Laura Fry
Laura Fry
Prince George, B.C., Canada
 

Magic in the Water
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Magic in the Water
Instructor: Laura Fry

What is wet finishing? Laura will explain the difference between wet finishing and washing your handwoven cloth and why it is necessary. The seminar will be illustrated with woven samples. If you’ve ever wondered how people weave fabric that goes ‘bump’ this seminar will give you some options.

Materials Fee: $1
Experience Level: All
 

A Good Yarn
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A Good Yarn
Instructor: Laura Fry

Fiber characteristics of the common natural yarns will be presented and we will discuss how to choose a good yarn for a specific purpose. Understanding the basic nature of the fiber and yarn – including how it has been prepared and spun – will help the weaver create textiles that will serve their intended purpose.

Materials Fee: $1
Experience Level: All
 

Four Color Double Weave
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Four-Color Double Weave
Instructor:
Bonnie Inouye

Two layers of cloth exchange places to form designs with strong impact. Combine two colors in the warp with two additional colors in the weft to create four distinct color blends with loom-controlled patterns. Use special tie-ups with extended parallel threading sequences for curving lines and organic shapes. The two layers of cloth may be plain weave or twills or a combination of structures forming more color blends. This cloth is useful for garments and scarves. Differential shrinkage can create multiple textures. Warp and/or weft layers may be threaded in a one to two ratio for increased textures.

Material Fee: $1
Experience Level: Intermediate
 

Bonnie Inouye
Bonnie Inouye
Hyattsville, MD

 

Point variations
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Point Variations
Instructor:
Bonnie Inouye

Threading reversals can be made in several styles and sizes. Compare the effect of a mirror reversal with offset points and network drafted points. Use these in block weaves, advancing sequences, profile drafts, crackle, doubleweave, and furrowed fabric. Control special effects with the size and type of point used. Points are sharp tools!

Material Fee: $1
Experience Level: All
 

Textures with Curves
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Textures with Curves
Instructor:
Bonnie Inouye

Textured fabrics with pleats and puffs and crinkles are great fun for scarves and other garments that never need ironing, have elasticity, and feel intriguing. I use overshot, twills, and four kinds of double weave for curving lines and organic shapes. An overview helps you compare several methods and feel the results. See if you like crinkles with curves. (The Flowing Line seminar makes a nice introduction to this seminar.)

Material Fee: $1
Experience Level: Intermediate
 

The Flowing Line
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The Flowing Line
Instructor:
Bonnie Inouye

Sometimes we want to create a sense of movement in a fabric.  Long, graceful curves present interesting challenges to weavers who make their own drafts. Which structures can be used to weave smoothly flowing lines?  Design ideas, problems and solutions, and placement of curves on the project will be discussed.  Drafts and examples for 4 shafts and more.


Material Fee: $1
Experience Level: All
 

Shimmering Colors: The Magic of Iridescence
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Shimmering Colors: The Magic of Iridescence
Instructor:  Bobbie Irwin

It’s easy to weave magical fabrics that appear to change color, and you don’t have to use gossamer silk or just plain weave to do it! You’ll have the opportunity to examine dozens of handwoven and factory fabrics for inspiration. Learn why most of the “rules” you may have heard about iridescent fabrics are largely mythical. Explore the effects of thread size, beat, sett, luster, weave structure, and other factors. Iridescence with analogous colors, plus 3-, 4-, and even 5-color iridescence are some of the amazing possibilities!

Materials Fee: None
Experience Level: All
 

Bobbie Irwin
Bobbie Irwin
Montrose, CO

 

Weaving Wrinkle-Resistant Fabric
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Weaving Wrinkle-Resistant Fabric
Instructor:  Bobbie Irwin

It’s possible to weave clothing fabrics that resist wrinkling, even if you’re working with cotton or linen! Learn how fiber content, thread (size, twist, ply and texture), sett, beat, weave structure and other factors influence the results of the fabric you weave. You’ll have the opportunity to examine dozens of swatches to see what works, what doesn’t, and why.

Materials Fee: None
Experience Level: All
 

Ravens: Twined Rag Rugs of the Pacific Northwest
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Diamonds, Whales & Ravens:
Twined Rag Rugs of the Pacific Northwest

Instructor:  Bobbie Irwin

Of the several cultures that independently developed twined rag rugs, the First Nations peoples of the Pacific Northwest made some of the earliest and most intricately patterned rugs. From the Puget Sound north into British Columbia, Salish and Nuu-chah-nulth people adapted old twining traditions to make beautiful rag rugs. This session traces the history of these rugs and how they were made. You will start your own circular sampler which can be continued at home to make a full-sized rug, if you wish.

Materials Fee: $15
Experience Level: All
 

Fashion Show Know How!
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Fashion Show Know How!
Instructor:
Daryl Lancaster
(Two Sessions)

How to apply, what to exhibit, how to exhibit, and anything else you need to know about a conference fashion show. Review the 2013 entries for the juried fashion show. A rare opportunity to see entries the way a juror sees them. Images matter! So does theme, color, design and styling. From understanding digital applications, to creating show stopping work, to selecting work for open fashion shows where you are the model, this is a great overview of a sometimes complicated and overwhelming process.

Material Fee: None
Experience Level: All
 

Daryl Lancaster
Daryl Lancaster
Lincoln Park, NJ
 




John Marshall
John Marshall
Covelo, CA

 

Pageantry of Japanese Textiles
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Pageantry of Japanese Textiles
Instructor: John Marshall

An intensive survey into all major types of weaves and surface designs produced in Japan since ancient times, including a wide range of slide illustrations as well an abundance of actual samples of the fabrics and the tools used to produce them.

Material Fee: None
Experience Level: All
 

Catch of the Day
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Catch of the Day
Instructor: Marilyn Moore

Using Marilyn’s unique method of blending color and using copper wire for spokes, explore the use of two colors of fine wire as a twining material. Receive materials to make two fish which could be used as a pendant or a pair of earrings.

Material Fee: $48
Experience Level: All
 

Marilyn Moore
Marilyn Moore
Seattle, WA
 

Crescent Twined Wire Earrings
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Crescent Twined Wire Earrings
Instructor: Marilyn Moore

These asymmetrical earrings will please the eye as well as will teach you to twine using multiple fine, colored wires. Blending colors techniques are also discussed. Add a pearl or bead for embellishment. At the end of class you will have one earring and the skills to finish the other earring on your own.

Material Fee: $50
Experience Level: All
 

Ripped About Rep
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“Ripped” About Rep
Instructor: Rosalie Neilson

Ripsmatta is the popular name of a technique more accurately described as warp-faced plain weave rep. In this slide lecture, the stages of warping for a sectional beam, threading, tying-on and weaving will be described. The theory of rep will be discussed and the evolution of designs for a computer-aided 16-shaft loom will be illustrated. In the hands-on portion of the session participants will create two color wraps using pure Fibonacci color blending and a “Fibonacci fudge” blend.

Material Fee: $3
Experience Level: All
 

Rosalie Neilson
Rosalie Neilson
Milwaukie OR

 

Color and Design in Warp-faced Rep
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Power of Block Design
Instructor: Rosalie Neilson

What is a block? For a weaver, a block is the basic unit of design which is then translated into a weave structure. Through slide illustrations, learn how one weaver used the textures of 4-shaft huck lace to develop the definitive set of 2, 3, and 4-block motifs which become the building blocks of more complex designs. Following the lecture, weavers will have an opportunity to use printed pages and transparent overlays from the forthcoming book An Exaltation of Blocks to create 6-block designs, suitable for the techniques of 8-shaft summer and winter and 8-shaft huck lace.

Material Fee: $6
Experience Level: All
 

How to Make, Warp, and Begin to Weave on a Copper Pipe Loom
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How to Make, Warp, and Begin to Weave on a Copper Pipe Loom
Instructor: Terry Olson

During this seminar students will cut copper pipe and put together a simple frame loom with a threaded rod tensioning device, a la Archie Brennan. Students will also learn to warp the loom and prepare to weave on it. Most students will be able to lay in a temporary hem and a row of double half-hitches and learn how to make a small tapestry that does not have a thick hem folded to the back. The printed handout will be a great reference to take home, to enable students to replicate what they have learned in class.

Material Fee: $45
Experience Level: All
 

Terry Olson
Terry Olson
Oregon City, OR

 

Papermaking and Contemporary Art
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Papermaking and Contemporary Art
Instructor: Seiko A. Purdue

Papermaking is an ancient craft that is being rediscovered as an artistic medium worldwide.

Examples of traditional papermaking from various countries as well as creative possibilities (contemporary applications) of paper pulp will be introduced. We will view the large paper sculpture “Lofty Aspiration” in the WWU Viking Union and some other examples of contemporary works. The class will focus on visual presentations, viewing real paper products and artworks, and discussions.

Material Fee: None
Experience Level: All
 

Seiko A. Purdue
Seiko A. Purdue
Bellingham, WA

 

Huichol Beading
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Huichol Beading
Instructor: Marilyn Romatka
 
The Huichol Indians of Mexico believe their gods drink prayers as we do water. They therefore prepare decorated drinking gourds with great care and symbolism. This class will do the same, lining shallow bowls with an explosion of color using glass beads in the Huichol style. Create a truly unique piece that is both durable and beautiful (decorative use only, not for food use).

Material Fee: $10
Experience Level: All
 
Marilyn Romatka
Marilyn Romatka
Bellevue, WA
 

Papiersterne – European Paper Stars
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 close-up view.

 
Papiersterne – European Paper Stars
Instructor: Marilyn Romatka

These delicate folded wonders are easier than origami but look so much more complex! They are made of a special colored waxed paper that the instructor brings in from Germany each time she visits. The stars are best hung in windows to display their internal structure.

Material Fee: $8
Experience Level: All
 

Temari: Japanese Thread Balls
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Temari: Japanese Thread Balls
Instructor: Marilyn Romatka

Temari balls are exquisitely wound and embroidered gems that are given in Japan as a very special gift to a loved one on an auspicious occasion. Easy to learn at a beginner’s level, the intrigued student can follow the craft up many layers of complexity, and never become bored with this craft. It has achieved the proud level of an art form. This class is for the beginner. 

Material Fee: $8
Experience Level: All
 

Viking Knitting
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Viking Knitting
Instructor: Marilyn Romatka

Also called “Viking Chain Netting” and “Viking Weaving”, this jewelry technique is done with neither knitting needles nor a loom, but instead with thin wire on a stick! Examples of these chains have been found in various archeological sites in Scandinavia dating back to the 8th century A.D. This technique can be used to make necklaces, bracelets and earrings. The chain looks exquisite and complicated, but the process is simple and straightforward. This is a great portable handicraft you can do on the bus or plane.

Material Fee: $8
Experience Level: All
 

New Trends in Feltmaking
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New Trends in Feltmaking
Instructor: Pat Spark

While contemporary feltmaking has been popular in North America since the 1970s, it has undergone many waves of popularity. Currently feltmaking is more popular than ever before. Come and experience some of the recent directions this ancient craft has taken with someone who has been making felt for over 38 years.

Material Fee: $1
Experience Level: All
 

Pat Spark
Pat Spark
Albany, OR

 

sample photo
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Kumihimo Disk
Instructor: Makiko Tada

Learn to make Kumihimo braids with the Kumihimo disk. The disk is an easy introduction to Kumihimo on Marudai, and a wonderful technique to share with children. In this class we will make several samples of round and square braids with thick yarn, according to participants' skill level. These techniques can be used to make unique belts, edgings for textiles and accessories.

Material Fee: $5 - $13
Experience Level: All
 

 

Makiko Tada
Makiko Tada
Tokyo, Japan
 

sample photo
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 close-up view.

 
Kumihimo Plate
Instructor: Makiko Tada

Learn to make flat braids using the Kumihimo plate. This is an easy introduction to understand the way of Kumihimo. In this class we will make several samples of flat braids with thick yarn, including a zig-zag braid. Use the Kumihimo plate to make unique belts, edgings for textiles and accessories.

Material Fee: $5 - $13
Experience Level: All
 

Everything You Always Wanted to Know About Tie-Weaves
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 close-up view.

 
Everything You Always Wanted to Know About Tie-Weaves but Were Afraid to Ask
Instructor: Jannie Taylor

If you’ve been weaving for a while, you’ve probably dabbled with a little Summer & Winter and maybe even tried some Double 2-tie Unit Weave. This is a good start, but hardly scratches the surface of the amazing world of Tied-Weaves. We’ll take one liftplan profile image and transform it into as many tied-weaves as we can in the time allotted. Learn how weaving software can make the design process fun and easy. I will be using WeavePoint 7 for demonstrations during the class, but time will be devoted to discovering how to use other software packages to create multi-shaft tied weaves.

Material Fee:$5
Experience Level: Intermediate-Advanced
 
 

 

 

Jannie Taylor
Jannie Taylor
San Luis Obispo, CA


 

Learn to Love Your Liftplan
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 close-up view.

 
Learn to Love Your Liftplan
Instructor: Jannie Taylor

This software based class is designed for the weaver with a multi-shaft loom without the limitation of treadles – a table loom, or a loom equipped with a mechanical or computer interfaced dobby mechanism. The goal of this class is to help weavers understand how and when to use the liftplan instead of a tie-up and treadling. What the differences are and how to design liftplans drafts for several basic weave structures. We will be using WeavePoint 7 weaving software during the class, but time will be devoted to discovering how to use other software packages to create drafts in Liftplan mode.

Material Fee: $2
Experience Level: Intermediate-Advanced
 

The History and Mystery of Shadow Weave
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 close-up view.

 
The History and Mystery of Shadow Weave
Instructor: Jannie Taylor

Learn the history and mystery of Shadow Weave; did it spring full blown from Mary Atwater's head or does it have deeper roots? Learn the various ways to thread and weave Shadow Weave including the Atwater, Powell, and Parallel methods. Discover the difference between a typical structure draw down and a color draw down. In addition, there will be a "trunk show" of shadow weave garments, household textiles and a wide variety of samples.

Material Fee: $5
Experience Level: All
 

Coping with Harness Envy
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Coping with Harness Envy
Instructor: Madelyn van der Hoogt

Although you can’t always get exactly the same effects on four shafts as on more, there are many ways to convert multishaft drafts to four with satisfying results. This seminar shows how to reduce the number of shafts required for twills and the number of blocks in a block weave to achieve cloth designs that look far more complex than they actually are. Not only are the results rewarding, but the process leads to greater understanding of how weave structures work.

Material Fee: $5
Experience Level: Advanced Beginner
 

Madelyn van der Hoogt
Madelyn
van der Hoogt

Whidbey Island, WA

 

How to use Weaving Software
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How to Use Weaving Software
Instructor: Madelyn van der Hoogt

Learn the basics of drafting and designing with weaving software. The demos from two programs—Fiberworks and Pix­eLoom—will be used in a computer-equipped classroom to teach participants how to create drafts, add colors, control thread size, and use special features, such as block substitution, tromp as writ, fabric analysis, and more.

Material Fee: $5
Experience Level: All
 

Fabulous Faux
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Polymer Clay Buttons - Fabulous Faux
Instructor: Diane W. Villano

The fiber artist new to polymer clay will master antiquing and highlighting sew-through buttons in this studio class. Discover how to successfully texture, use acrylic paint and antiquing glaze with clay to imitate natural materials such as ivory and stone. We’ll discuss applying these techniques to alternative non-button closures. You’ll also learn the proper methods for the care and cleaning of polymer clay buttons.

Materials Fee: $25
Experience Level: All
 

Diane W. Villano
Diane W. Villano
East Haven, CT
 

Captivating Caning
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Polymer Clay Buttons – Captivating Caning
Instructor: Diane W. Villano

Explore the magic of polymer clay caning or millifiore, the fascinating technique borrowed from Venetian glass artists. Use the Skinner blend to incorporate two or more colors into a sheet of clay. Then combine blended and solid color sheets into a basic leaf cane. Learn how to successfully cut and transform cane slices into buttons. Once you’ve mastered the leaf cane, use it as a component to create fun and fabulous button and bead variations. Care and cleaning of polymer clay buttons is also covered.

Materials Fee: $25
Experience Level: All
 

Wacky Weave
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Polymer Clay Buttons – Wacky Weave
Instructor: Diane W. Villano

Polymer clay meets trompe l’oeil, with a bit of attitude! This hands-on class is designed for the fiber artist new to polymer clay. You’ll learn how to select and use contrasting light and dark values in a basic cane to create the illusion of texture and create hand formed sew-through buttons with a woven appearance. The Skinner blend, a method of blending two or more colors together, is the secret to the successful “woven” cane. We’ll also discuss various numerous bead-making options with this same cane. Care and cleaning of polymer clay buttons is also covered.

Materials Fee: $25
Experience Level: All
 

Swirl Heart Pin
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 close-up view.


Polymer Clay Jewelry – Swirl Heart Pin
Instructor: Diane W. Villano

A classic shape interpreted in polymer clay, this heart pin starts with a blended sheet of clay. Learn how to apply your knowledge of color to clay and successfully select values to create an eye-catching piece of jewelry. We’ll also discuss making coordinating beads. This hands-on class is designed for the fiber artist new to polymer clay.

Materials Fee: $25
Experience Level: All
 

Weaving Bronson Lace and Barley Corn on a Rigid Heddle Loom
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Weaving Bronson Lace and Barley Corn on a Rigid Heddle Loom
Instructor: Liz Walker

Unlike harness looms where the number of pattern blocks depends on the number of available harnesses, rigid heddle looms offer much more design flexibility when easy pick-up techniques are employed. The number of pattern blocks is limited only by the width of your warp and the number of threads per weaving unit. With this in mind, students will learn how to weave Bronson lace, spot weave and Barley corn using various pick-up techniques. Students may practice these open weaves with designs provided, and will be encouraged to create their own designs for a unique project. Students can weave a sampler, wall hanging or scarf as the class project.

Material Fee: None
Experience Level: Intermediate
Rigid Heddle Loom Required
 

Liz Walker
Liz Walker
Madison, WI

 

Color and the Culture of Cloth
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Color and the Culture of Cloth
Instructor:  Michele Wipplinger

A slide show talk of natural dyeing as practiced by different cultures around the world including, Peru, El Salvadore, USA, Laos, India, Turkey, Mali and China.
 

 

Michele Wipplinger
Michele Wipplinger
Seattle, WA
 

Tinkuy - A Gathering of Weavers
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Tinkuy - A Gathering of Weavers

Instructor:  Michele Wipplinger

During the Tinkuy, artisans from remote highlands of Peru gather annually to dye their wool yarns using a variety of local plants that are unique to their region. Colors of interest include cochineal red, indigo blue and a turquoise green from the Amazon. The finished skeins are then used for weaving and knitting their textiles according to their tradition.
 

Handwoven Sweaters
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Handwoven Sweaters
Instructor: Heather Winslow

“You love sweaters but you don't knit? Borrow a garment style that has traditionally been hand knit and design it using handwoven fabric.  This seminar will introduce you to a number of different sweater styles, sleeve variations, appropriate yarns and their recommended setts, construction techniques, and the addition of those innovative finishing details that will make your sweater a one-of-a-kind treasure!”

Material Fee: $2
Experience Level: All
 

Heather Winslow
Heather Winslow
Sugar Grove, IL

 

Collage Embellished Drawstring Bags
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Collage Embellished Drawstring Bags
Instructor: Rebecca Winter

Do you need an art bag to hold your latest jewelry treasure, drop spindle, or journal? Use your handwoven fabric as the foundation canvas for your ornamented collage creation. Basic how-to’s for embellishment techniques with beads, buttons, tassels, applique and stitchery will be presented. You may even choose to add the symbol or icon that has meaning and purpose in your life, to make your bag very personal and special to you.

Material Fee: None
Experience Level: All
 

Rebecca Winter
Rebecca Winter
Meridian, ID
 

Record Keeping: Where is That Sample?
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Record Keeping: Where is That Sample?
Instructor: Rebecca Winter

“Where is that sample? I know I wove this once before. I sure would like to know what sett I used.” Or, “I know I spun that before; what fleece did I use?” Is this one of your mental conversations? Here’s a seminar with a solution. We will explore multiple methods of keeping your weaving, spinning, or art records. The methods include hard copy records, electronic records, and naming schemes. Organizing can be fun! You can find the sample you remember.

Material Fee: None
Experience Level: All
 

Woven Pixel Methods for Jacquard and Dobby
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The Woven Pixel Methods for Jacquard and Dobby
Instructor: Bhakti Ziek

Through a powerpoint presentation, Ziek will discuss the history of figured textiles from drawloom through jacquard to contemporary digital work, including her own. Then she will do a live demonstration of using Photoshop to go from digital photograph to a loom-ready file. These are the methods that she and Alice Schlein developed in their book, The Woven Pixel*. There will be samples of fabrics for participants to look at and touch, and there will be time for questions and answers.

Materials Fee: None
Experience Level: All

* The Woven Pixel: Designing for Jacquard and Dobby Looms Using Photoshop, by Alice Schlein and Bhakti Ziek, Greenville, SC: Bridgewater Press, 2006
 

Bhakti Ziek
Bhakti Ziek
Randolph, VT

 

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